曾經意(yì )氣(🥡)&#
曾經意(yì )氣(🥡)風發的刑警(🈵)豪哥，數(shù )年(🕟)前因(🍌)一樁殺(⏹)妻(qī(🔧) )案的偵(zhēn )辦疏失而遭受打(dǎ )擊，再(zài )也不到前線(🐚)偵辦(bàn )。突如(⛳)(rú )其來的『(🈳)未成(🌆)年(nián )少(📸)女砍(💈)(kǎn )人案』，卻(🛴)再度(dù )將他(🛄)捲(juǎn )入深黑(🌀)(hēi )的(🌈)漩渦中(🌤)(zhōng )。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Paraí(👱)so Perdido é um clube noturno gerenciado por José (Erasmo Carlos) e movimentado por apresentações musicais de seus herdeiros. O policial Odair (Lee Taylor) se aproxima da família ao ser contratado para fazer a segurança do jovem talento Ímã (Jaloo), neto de José e alvo frequente de homofóbicos, e aos poucos o laço entre o agente e o clã de artistas românticos vai se revelando mais e mais forte - com nós surpreendentes.
威尼斯國(guó )際(📻)電影(yǐng )節參(🚃)展作品
栗子(🥌)(zǐ )致(🔂)力于(yú(🚌) )研究(📕)记(jì )忆交换(⚡)技术，男(nán )友(👟)钟瀚(hàn )非常(📠)支持。科学家(🌔)白堂(👵)(táng )武秘(🤽)密研(🕣)究克隆人，却(què )只能搞出没有灵(líng )魂的空(kōng )壳，他(🌧)意识到记(jì(🥄) )忆交换(huàn )技(🎞)术是(🐁)他最需(👆)要(yà(🗜)o )的。但(dàn )栗子(🚵)不愿与白堂(🤝)(táng )武合作(zuò(🈚) )。白堂(📚)(táng )武将(🍶)钟瀚(🌸)(hàn )变成“白痴”骗栗子帮(bāng )钟瀚恢(huī )复情感(gǎn )。钟瀚(🐟)突(tū )然成了(🕌)(le )绑架反克隆(🐉)人专(🥨)(zhuān )家刘(💔)大(dà(🎡) )明的嫌疑犯(🍕)。栗(lì )子试图(🗯)(tú )帮钟瀚(hà(🕘)n )洗冤，竟在自(🗺)家(jiā(❗) )发现刘(🍋)(liú )大(🔛)明尸体。白堂武提出(chū )克隆刘大明并植入记忆(yì(🥂) )。栗子勉强答(🔴)应(yīng )。栗子(zǐ(🔔) )潜入(🔭)白堂武(😧)实验(🔸)(yàn )室发现(xià(🐤)n )：真正的钟(➿)瀚已(yǐ )死，现(🤑)(xiàn )在(🍓)的钟瀚(🚼)是白(👦)堂(táng )武的克(kè )隆人。白堂武利(lì )用记忆(yì )交换技(⛓)(jì )术批量生(⛰)(shēng )产克隆(ló(🍇)ng )人杀(🥒)手(shǒu )。栗(🔗)子和(🥈)(hé )钟瀚一(yī(🚑) )起捣毁白堂(🤒)武实(shí )验室(🏃)。两人逃亡之(⚓)际，钟(😪)瀚却(què(🉑) )将自(🚁)己锁在里面，随实(shí )验室一(yī )起毁灭(📧)。数周后栗子(🗣)发(fā )现自己(❤)怀上钟瀚的(🍻)孩子(🖲)(zǐ )，这让(🐄)她坚(👏)强地面对未(🔇)(wèi )来。
子ども(⛏)に夢(mèng )を与(😧)え、(😭)想像力(👙)をは(🛫)ぐくむコンテンツ作りをめざして、キャラク(❓)ターアニメ(🌪)ーションを(🐊)中(zhō(🎟)ng )心にデ(⌛)ジタ(🕖)ル絵本やARと(🗣)いったアプ(🐏)リなどを通(👉)(tōng )して、エ(🖨)ンタ(🤚)メから知(zhī(📞) )育まで幅広く活動しているスタジ(🏗)オななほし(😑)が、ジャン(🌕)ルやメディ(🎿)アを(🈯)問わず、も(🎧)のづくりを(🚋)手掛けるウ(🐳)サギ王と制(🗡)作(zuò(🥊) )。どこの(📃)家に(👭)もある縁(yuán )起物たちと、彼らが動(dòng )くさまを(🍦)見た子ども(❔)たちとの交(🉐)流を(🌲)、躍動(💫)感(gǎ(🕕)n )いっぱいに(➰)描(miáo )いたド(🐭)タバタコメ(🏬)ディ！
A young couple picks the wrong hideout while trying to elude the police.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
“NO BORDER 2D×(💧)3D” をキ(🗯)ャッチフレ(🍮)ーズに掲(jiē )げ、2Dと3Dの境目をなくす(🏥)クリエイテ(❄)ィブな活動(🎳)を目指(zhǐ )す(🎂)３DCGプ(🔀)ロダクショ(🧠)ン“Picona Creative Studio”。本作はど(❤)んなもので(🐑)も捨ててみ(🚙)せる(🌊)ゴミ捨(📩)て屋(🎍)コンビと、魔法(fǎ )を捨てたい魔女(nǚ )が繰り広(📻)げる、ファ(🗼)ッション×(🍕) ポッ(🌫)プ× ア(🌇)ニメ(🐋)をキーワー(🚼)ドに魔法(fǎ(👁) )と科学(xué )を(🕊)絡み合わせ(🔵)たス(🦂)ラップステ(🚴)ィック・アニメーション。同社(shè )が(🚅)長年(nián )温め(♒)てきたオリ(💞)ジナル企画(🛂)が、(🈂)ついに実現(🌚)！
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