The Focusing E&#
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
黄河(hé )晋陕大峡谷的壮阔(kuò )背景中(zhōng ),邵兵(bīng )姜武分饰一对警(👯)察(chá )大盗(🏝),江湖恩(ē(⏳)n )怨从20年前计起,又(yòu )因故人(rén )之女再度重逢(féng )。当年的枪(qiāng )声改变(biàn )了众人的命(🆓)运(yùn ),这一(🎿)次追(zhuī )捕(🕗)像轮(lún )回中的一场重(chóng )逢,“有生(shēng )以来,侠路相逢,终(zhōng )不能幸免”。尘封(fēng )的秘密被(🔲)不(bú )断牵(🔴)出,往事(shì(🦊) )的波澜(lán )再次起伏。巨石壁立,黄(huáng )河奔流(liú ),所见证的罪恶与(yǔ )惩罚、英勇与(yǔ(🖕) )荣誉,是一(🕖)段荡气(qì(💬) )回肠、感慨唏(xī )嘘的英雄故事,也(yě )是一段(duàn )惊心动魄的黄(huáng )河边的残酷(kù )青(🌿)春......
晴(qíng )晴(⛺)和小雨一(🌿)起(qǐ )来到城市打(dǎ )工投奔(bēn )老乡莹莹,途(tú )中遭绑架团(tuán )伙赵卓(zhuó )和四通绑架(🏧),影片以恢(😧)弘(hóng )幽默(🔔)的(de )手法讲述晴晴小雨与犯罪(zuì )分子斗(dòu )智斗勇的故(gù )事。
A group of social media influencers go to an afterparty in a Hollywood Hills mansion only to find themselves the target of a ruthless masked killer.
VS. is an urban rites of passage drama set in the hostile and exciting UK rap battle scene.
收到媽媽(mā )從山上(shà(🛰)ng )寄來的蜜(🚱)蘋果,小(xiǎo )月計算(suàn )著,媽(mā )媽已經在外工作許(xǔ )久了,媽媽的(de )搖籃曲總是在耳邊(biān )呼喚著(🌨)(zhe )。『你媽多(🌃)久(jiǔ )沒回(😅)來了?』是小(xiǎo )月(13歲)與碧(bì )艷(15歲)兩(liǎng )個小女(nǚ )孩彼此關心的(de )話語。
“NO BORDER 2D×(🤹)3D” をキャッ(🦅)チフレー(🔞)ズに掲げ、2Dと3Dの境(jìng )目をなくすクリエイティブな活(huó )動を目指す3DCGプロダ(🔹)クション(😹)“Picona Creative Studio”。本作はどんなものでも捨ててみせるゴミ捨て屋コンビと、魔法を捨てたい魔(mó )女が(🚘)繰(qiāo )り広(🎢)げる、フ(🆙)ァッション× ポップ× アニメをキーワードに魔法(fǎ )と科学を絡み合わせた(🐬)スラップ(⛏)スティッ(📃)ク・アニメーション。同社が長年温めてきたオリジナル企画が、ついに実現(😤)!
Au Ve siècle, la ville d’Aquilée, prè(☔)s de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tête au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
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